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CHAPTER LXII. (CONT'D)
The questions and answers came to an end here, but not the wonder with which all were filled, except Don Antonio's two friends who were in the secret. This Cide Hamete Benengeli thought fit to reveal at once, not to keep the world in suspense, fancying that the head had some strange magical mystery in it. He says, therefore, that on the model of another head, the work of an image maker, which he had seen at Madrid, Don Antonio made this one at home for his own amusement and to astonish ignorant people; and its mechanism was as follows. The table was of wood painted and varnished to imitate jasper, and the pedestal on which it stood was of the same material, with four eagles' claws projecting from it to support the weight more steadily. The head, which resembled a bust or figure of a Roman emperor, and was coloured like bronze, was hollow throughout, as was the table, into which it was fitted so exactly that no trace of the joining was visible. The pedestal of the table was also hollow and communicated with the throat and neck of the head, and the whole was in communication with another room underneath the chamber in which the head stood. Through the entire cavity in the pedestal, table, throat and neck of the bust or figure, there passed a tube of tin carefully adjusted and concealed from sight. In the room below corresponding to the one above was placed the person who was to answer, with his mouth to the tube, and the voice, as in an ear-trumpet, passed from above downwards, and from below upwards, the words coming clearly and distinctly; it was impossible, thus, to detect the trick. A nephew of Don Antonio's, a smart sharp-witted student, was the answerer, and as he had been told beforehand by his uncle who the persons were that would come with him that day into the chamber where the head was, it was an easy matter for him to answer the first question at once and correctly; the others he answered by guess-work, and, being clever, cleverly. Cide Hamete adds that this marvellous contrivance stood for some ten or twelve days; but that, as it became noised abroad through the city that he had in his house an enchanted head that answered all who asked questions of it, Don Antonio, fearing it might come to the ears of the watchful sentinels of our faith, explained the matter to the inquisitors, who commanded him to break it up and have done with it, lest the ignorant vulgar should be scandalised. By Don Quixote, however, and by Sancho the head was still held to be an enchanted one, and capable of answering questions, though more to Don Quixote's satisfaction than Sancho's.
The gentlemen of the city, to gratify Don Antonio and also to do the honours to Don Quixote, and give him an opportunity of displaying his folly, made arrangements for a tilting at the ring in six days from that time, which, however, for reason that will be mentioned hereafter, did not take place.
Don Quixote took a fancy to stroll about the city quietly and on foot, for he feared that if he went on horseback the boys would follow him; so he and Sancho and two servants that Don Antonio gave him set out for a walk. Thus it came to pass that going along one of the streets Don Quixote lifted up his eyes and saw written in very large letters over a door, “Books printed here,” at which he was vastly pleased, for until then he had never seen a printing office, and he was curious to know what it was like. He entered with all his following, and saw them drawing sheets in one place, correcting in another, setting up type here, revising there; in short all the work that is to be seen in great printing offices. He went up to one case and asked what they were about there; the workmen told him, he watched them with wonder, and passed on. He approached one man, among others, and asked him what he was doing. The workman replied, “Senor, this gentleman here” (pointing to a man of prepossessing appearance and a certain gravity of look) “has translated an Italian book into our Spanish tongue, and I am setting it up in type for the press.”
“What is the title of the book?” asked Don Quixote; to which the author replied, “Senor, in Italian the book is called Le Bagatelle.”
“And what does Le Bagatelle import in our Spanish?” asked Don Quixote.
“Le Bagatelle,” said the author, “is as though we should say in Spanish Los Juguetes; but though the book is humble in name it has good solid matter in it.”
“I,” said Don Quixote, “have some little smattering of Italian, and I plume myself on singing some of Ariosto's stanzas; but tell me, senor--I do not say this to test your ability, but merely out of curiosity--have you ever met with the word pignatta in your book?”
“Yes, often,” said the author.
“And how do you render that in Spanish?”
“How should I render it,” returned the author, “but by olla?”
“Body o' me,” exclaimed Don Quixote, “what a proficient you are in the Italian language! I would lay a good wager that where they say in Italian piace you say in Spanish place, and where they say piu you say mas, and you translate su by arriba and giu by abajo.”
“I translate them so of course,” said the author, “for those are their proper equivalents.”
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